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    Your Madness, Not Mine
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    Your Madness, Not Mine
    Unavailable
    Your Madness, Not Mine
    Ebook206 pages5 hours

    Your Madness, Not Mine

    By Nfah-Abbenyi

    5/5

    ()

    Currently unavailable

    Currently unavailable

    About this ebook

    Women's writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state.

    The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians.

    Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard.

    LanguageEnglish
    PublisherOhio University Press
    Release dateFeb 28, 1999
    ISBN9780896804357
    Unavailable
    Your Madness, Not Mine

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    Reviews for Your Madness, Not Mine

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    • 5/5
      I'm not a big reader of short stories, although memorable collections I've enjoyed include books by Lorrie Moore and Chimamanda Ngozi Adichie, and most recently by Margaret Atwood. That said, I really enjoyed this collection of stories set in the English-speaking part of Cameroon. The introduction provides context for the stories, explaining that Cameroon is the only African country to have two European languages as lingua franca, but because of the French postcolonial role, French takes a predominant role despite an official policy of equality between the two languages. So this is one of the topics of the stories - relationships between people who see speaking English or French as a marker of community identity, in the context of limited resources. So in one story, in the midst of a car accident, everyone is arguing in a mix of English, pidgin and French, and Their arguments betrayed linguistic cultural and political assumptions whose validity they no longer particularly cherished... Although there are stories set in a rural village as well as in the city, both contexts are dealing with change. Juliana Makuchi's stories address AIDS, environmental exploitation, migration, domestic abuse and political corruption but the key focus is personal, and as the reader it is impossible to forget the individuals who are at the heart of this collection. Whilst the issues dealt with may make this seem overly serious (and it is tragic too: her description of someone in the last days of AIDS is heartbreaking), it is also humorous; from the observations of the customers at the village's only bar, to the grandma carefully negotiating the benefits of political support in an election year. We switch between pidgen, French and English in the text.Highly recommended.